In 2012, WonderRoot saw the need for professional development programming for the Atlanta arts community. While historically artists' educational backgrounds succeed in equipping them with technical skills, there are often deficiencies in how artists are instructed to navigate the pragmatisms of their careers.
WonderRoot conducted numerous surveys and interviews with local artists and impactful arts organizations, including Creative Capitol and the New York Foundation for the Arts (NYFA), to identify critical concerns that would enable the professional advancement of artists and build a sustainable arts ecosystem in Atlanta. Of the responses collected, five key needs stood out: cultivation of a peer network; access to knowledge, skills, and tools for a professional practice; access to key decision makers; exhibition opportunities; and time for retreat and reflection. With the five areas of interest, the framework for the Walthall Artist Fellowship was developed.
The Walthall Artist Fellowship seeks to forever impact the participating artists by providing them with the necessary tools, resources, community-base and access to significantly advance and define their careers. Through a competitive application process, 12 artists who demonstrate both success and potential to have a working career as an artist in Atlanta will be selected for this year-long program.
Addison Adams is a visual artist and experimental musician based in Atlanta, GA. He received his BFA in painting and drawing from the University of Georgia in 2012 and has continued developing his work in painting as well as his experimentation with sculpture, installation, performance art, and film. Adams has performed at the High Museum of Art, the Goat Farm Art Center, and MINT gallery. In addition, he has exhibited his paintings and video art in galleries throughout the Southeast including MOCA GA, ATHICA, andNon-‐‐Fiction Gallery.
- The American College Dance Festival
- The Earl Smith Strand Theater
- Kennesaw State University
- Atlanta Ballet’s ribbon cutting ceremony of the Michael C. Carlos Centre,
- Dance Chance
- Emory’s Zombie Ethics Convention
- Dance Canvas
- Eyedrum’s Existing Conditions
- The Atlanta Science Festival
- Mint Gallery’s Leap Year Applicant Show
- The Robert Rauschenberg Foundation SEED Retreat
- Fulton County’s Dance Week
Last year, she self–produced her own show TERABYTER. A production meshing dance,technology and theater. Morgan also shares an Idea Capital Grant with her husband Carlos for their new project“Left Out” coming soon!
Joe Camoosa is an artist and musician who lives and works in Atlanta, Georgia and makes paintings and drawings in a variety of media that explore cartography and the relationship between color, space and movement.
He received an MFA in painting and drawing from the Lamar Dodd School of Art at theUniversity of Georgia and graduated from Florida State University where he studiedMass Communication and Anthropology. Camoosa’s work is held in numerous corporate and private collections and has been exhibited in galleries in Atlanta,Nashville, Richmond and New York, and museums such as MOCA GA, AtlantaContemporary, The Hudgens Center for the Arts, The Georgia Museum of Art, TheMadison Museum of Fine Art and most recently The Macon Museum of Arts andSciences as part of their fourth annual Emerging Artists Exhibition. He is currently a member of the Studio Artists Program at Atlanta Contemporary.
Ali O’Leary grew up in Chapel Hill, North Carolina. She received her BA in American Studies and graduated with honors from Barnard College at Columbia University in New York City in 2010. O’Leary earned a Post-Baccalaureate Certificate at Maryland Institute College of Art in Studio Art in Baltimore, MD in 2011. She went on to receive a Master of Fine Arts degree at the University of North Carolina at Chapel Hill in 2013. O’Leary has exhibited in many group shows and museum shows in North Carolina since 2011. She lived in New York City for several years after graduate school and gained experience teaching art and photography to a wide range of students as well as working in the Fashion and Publishing Industries as an illustrator and studio assistant. In 2014 she was awarded an Artist Residency at Strathmore in Maryland. She also participated and installed a space at the Governor’s Island Art Fair in New York City in 2014. O’Leary recently moved to Atlanta, Georgia with her new husband. She taught Photography and Graphic Design at Westwood College for the past year. She currently works as an Adjunct Professor of Art Appreciation at Georgia Military College and also works as freelance photographer taking portraits. O’Leary has a unique set of skills ranging from digital editing and illustration to quilting to large-scale sculptural installations. She is an interdisciplinary mixed media artist based in Atlanta, Georgia. Her artwork explores how identity is linked to the items we amass. It deconstructs the relationship between the physical body and commercial objects. I utilize old clothing and recycled fabrics to create sculptures as representatives of the current state of a capitalist culture. The items are simultaneously playful, tactile, and puppet-like and frozen and stoic. By utilizing hand sewn textiles alongside the tar the work speaks to issues of class, labor, gender and race. Tar is redolent of the socially ostracized; those tarred and feathered. The sewing references craft, “women’s work,” and invites touch. O’Leary’s tar entombed sleek black textile sculptures and layered photographs conjure the elite while nodding to the ostracized, nostalgic and historic textures.
Nicole Johnson, Atlanta native and a founding artist of Fly on a Wall, is thrilled to find herself a part of an organism grown from the fertile and creative grounds of the vibrant city of Atlanta. As a young artist, shetrained at The Atlanta Ballet Center for Dance Education, and spent her summers gathering information from a number of different organizations, including ABT, Houston Ballet, Julliard, and Alonzo King’sLines Ballet. In 2006, she was invited to join the Atlanta Ballet, where she had the pleasure of performing works by a number of choreographers; George Balanchine, Diane Coburn Bruning, Alan Hineline, Stephen Mills,Micheal Pink, Stanton Welch, and Lila York. Some of her highlight roles included Caribosse in JohnMcFall’s Sleeping Beauty, Jordan in Lauri Stalling’s and John McFall’s The Great Gatsby, Stomper inTwyla Tharps In the Upper Room, and Savannah in Lauri Staling’s BIG. In the summer of 2008 she also had the opportunity to work in San Francisco with The Foundry in Alex Ketly’s Monument. Upon returning to Atlanta, she graduated Suma Cum Laude from Georgia State University with a degree inHistory and Sociology. In 2009 she began to spend more intimate time in the studio, with dance maker Lauri Stalling’s and this led to the formation of gloATL, a platform for contemporary movement language and physical gesture. In her five years helping to build gloATL, she learned a great deal about herself, Atlanta, and the relationship between art and the individuals experiencing it. This involvement provided new perspectives into her art form and a heightened level of respect for the many facets of a sustainable arts organization in the contemporary world. As a dancer with glo she was a part of numerous experiences created for Atlanta and beyond, from Rapt in 2009 to The Social Animal in 2013. Through these works she enjoyed the opportunity to work closely with a number of collaborators including Big Boi, Sonic Generator, The Atlanta Opera, Micah Stansel, andRobert Spano. Nicole’s numerous opportunities to work with artists across mediums has given her the understanding that all work is truly collaborative at heart, and she thrives on creative processes that ask
more of individuals so that they might achieve something greater than themselves. This belief led to the creation of Fly on Wall with Sean Hilton and Nathan Griswold. Fly on Wall’sArtistic Directors began working together in the spring of 2014 with a desire to work across mediums and give a voice to Dance Theatre in Atlanta. The creative process that Fly on a Wall uses is unique in that there isn’t a lead choreographer or director, instead the process is truly collaborative and ideas are able to flow freely and change with ease as everyone has equal input. This collaborative nature extends beyond dance; Fly collaborates with, actors, filmmakers, animation artists, and musicians.
Since 2014 Fly on a Wall has created eight original works for Atlanta including multimedia performances, installations, and 4 original dance films. They were presented by Dashboard, held community classes for dancers and non-‐‐dancers alike, and were Distinguished Fellows with a Fulton County Arts Council Scholarship at the Hambidge Center for Creative Arts and Sciences. CurrentlyFly on a Wall is working with Dashboard and the Alliance Theater for the Very Young on Babies inSpace, an immersive installation and performance experience for 0-‐‐2 year olds.
Fly on a Wall is interested in shifting perspectives and allowing audiences to discover their own unique viewpoint as they experience the work. This interest has manifested itself not only as inventive movement generation but also in the building of performance structures that enhance their work and provide another dimension to the collective’s repertoire. Performance structures that Fly on a Wall has created include: 4×8 ft. Plexiglas prisms for Art on the Atlanta Beltline, a tandem bicycle that generated power for a light bulb in Dashboards Shifting Scapes, and a creation, during their Dashboard residency, of an abstract home made of 20 ft. floor to ceiling paper panels. Once completed, each of these structures housed physical theatre works performed by Fly on a Wall.
Nicole feels fortunate to find herself inside this nourishing environment that supports her growth as an artist. She thanks her wonderful family for their love, support and belief of a life in the arts.
Wihro Kim was born in New York and raised in Georgia. From an early age, he showed an interest in art and a natural propensity towards drawing and other creative endeavors. He attended Georgia State University from 2010 to 2015 and received his BFA in painting. It was during Wihro’s studies at GSU that he started his current body of work, dealing with memories and perceptions, and since then his work has evolved while maintaining the same interests. Also during his time at GSU,he was awarded the Vera Jernigan Green Memorial Art Award, a merit based award given to “the most promising art student with a major concentration in painting”.Shortly after graduating, Wihro began showing in group shows in spaces for emerging artists in Atlanta, such as MINT Gallery, 368 Ponce, Mammal Gallery, and Hi–Lo Press. Most notable among these shows is “Where We Have Been, Where WeAre Going”, MINT Gallery’s third annual juried exhibition, co–juried by Micah andWhitney Stansell, where he was awarded “Local Best in Show”. He continues to show work regularly in Atlanta.
Macey Ley is a mixed–media artist living and working in Atlanta, Georgia. The form of her workfollows the concept and ranges from painting and sculpture to installations and artist books. Shecompleted her BFA in photography at the University of New Mexico, studied book arts at StudioArts Center International in Florence, Italy, and earned her MFA at the Savannah College of Artand Design. She is an independent corporate event producer and creative director and has curatedshows and exhibited her artwork throughout the United States and Italy. Ley’s work can be found in a myriad of public and private art collections. Recent exhibitionsinclude Ley Lines at Hammond Hall Gallery at Jacksonville State University, The Book As Art: No
Jacket Required with the Decatur Arts Alliance, Intertwined a traveling exhibition with theSoutheast Fiber Arts Alliance, PEACE: What Does It Mean to You? at the Breman Museum,
Director’s Invitational at Abecedarian Gallery, Mending: New Uses for Old Traditions at CAB ArtGallery at the University of North Carolina Wilmington, and at LaGrange Art Museum in the
LaGrange National XXIX Biennial.
Steve Morrison received his BFA (Illustration) in 2006, and his MFA (Painting) in 2015. His studio practice involves animated gifs, figurative painting, social media, early cinema, computer glitches, theatrical design, culinary exploration, alchemy, and folk magic. Using paint, animation, digital processes, and sculpture, his art enacts the tragicomic theater of impermanence.
In 2015, he was a finalist for the Working Artist Project (MOCA-GA), curated by Siri Engberg of the Walker Art Center. He has received several grants from the Center For Puppetry Arts, in addition to numerous other awards and honors.
Morrison currently resides in Atlanta.
San Francisco‐based queer artist Charlie Watts seeks to create images not of this world, to use photography as a stepping‐stone to the unknown realm just past the peripheral edge of consciousness. She creates images to bring imagination into fruition and provide a visual escape from the mundane to the fantastical.This spring, Watts finished an MFA program in photography with the San Francisco Art Institute after graduating with highest honors and a B.A. in art history and visual arts at Emory University. She has been a member of the Dashboard CO‐OP and a resident with The Creatives Project, through which she teaches photography in underserved neighborhoods. Her photographs are heavily performance‐based and have been exhibited at Fort Mason, SomARTS, Root Division, WhiteSpec, the Diego Rivera Gallery, Mason Murer, Barbra Archer Gallery, and “Boom City” with the Dashboard CO‐OP. Her photographic exploration to raise awareness of sex trafficking in Atlanta, The ThrowAways, currently is on display at the Rollins School of Public Health. In 2011, Watts received the Emory Center for Creativity and the Arts Community ImpactAward, and she is the recipient of grants from the City of Atlanta’s Office of Culture.
Cosmo Whyte was born in St. Andrew, Jamaica in 1982. The Jamaican born artist attended Bennington College in Vermont for his Bachelor in Fine Arts, Maryland Institute College of Art for his Post–Baccalaureate Certificate and the University of Michigan for his MFA. He has been in a number of exhibitions including the 2013 Forward Arts Foundation Artist of the yearRetrospective in Atlanta, 2012 “Outward Reach: 9 Jamaican Photography and New Media Artists” at the Art Museum of the Americas in Washington,DC, 2011 “African Continuum” at the United Nations Gallery in New York,2011 Mover and Shaker show at Museum of Contemporary Art Georgia and the 2010 and 2014 Jamaica Biannual. In 2010 he was the winner of theForward Art emerging artist of the year award. In 2015 he was the recipient of the International Sculpture Center’s “Outstanding Student Achievement in Contemporary Sculpture Award”. Cosmo Whyte is currently a professor at Morehouse College.
Congratulations to the 2016-2017 Walthall Artist Fellows – Addison Adams, Joe Camoosa, Morgan Carlisle, Christopher Hall, Ali O’Leary, Nicole Johnson, Wihro Kim, Macey Ley, Steve Morrisson, Tori Tinsley, Charlie Watts, and Cosmo Whyte!
The Walthall Artist Fellowship is WonderRoot’s signature professional development program for artists at pivotal stages in their careers. In it’s fifth year, the Fellowship seeks to forever impact the participating artists by providing them with the necessary tools, resources, community-base, and access points to significantly advance and define their careers. Through a competitive application process, 12 artists who demonstrate both success and potential to have a working career as an artist in Atlanta are selected for this year-long program. The program is open to artists who work in a variety of disciplines but symposia presenters are more frequently visual arts professionals and the closing exhibition will be held at a visual arts institution. Program elements include:
– Monthly symposia with Atlanta’s leading arts professionals. Topics range from understand contracts and intellectual property, to working with institutions, marketing, and building a portfolio.
– Monthly roundtables in which Fellows lead discussion about critical issues to their practice
– Individualized one-to-one informal mentorships for each Fellow
– A 5-day residency on Ossabaw Island
– A group exhibition featuring all twelve fellows at the Museum of Contemporary Art of Georgia
Friday, June 24th: Orientation Meet & Greet
Symposia 1, Saturday, July 9: How to Make a Living, Building Portfolio, and Strengthening Studio Practice
Roundtable 1, Wednesday, July 20: Studio Visit and Discussion
Symposia 2, Saturday, August 13: Proposals, Grants & Fundraising
Roundtable 2, Wednesday, August 24: Studio Visit and Discussion
Symposia 3, Saturday, September 10: Contracts, Intellectual Property and Legalities
Roundtable 3, Wednesday, September 21: Artist contracts and Inventory Workshop
Symposia 4, Saturday, October 8: Marketing, Audience building & Web Presence
Roundtable 4, Wednesday, October 19: Personal web service and SEO assistance
Symposia 5, Saturday, November 12: Financial Management, Housing and Studio
Roundtable 5, Wednesday, November 16: Studio Visit and Discussion
Symposia 6, Saturday, December 10: Art Education, Teaching and Post Graduate Work
Roundtable 6, Wednesday, December 14: Studio Visit and Discussion
Symposia 7, Saturday, January 14: Arts Activism, Arts Advocacy & Art in Public Spaces
Roundtable 7, Wednesday, January 25 : Studio Visit and Discussion
Symposia 8, Saturday, February 11: Working with Arts, Academic Institutions, and Beyond Atlanta
Roundtable 8, Wednesday, February 22: Art presentation and Group Critique
Residency/Retreat, March 21 – 26: Five day visit to Ossabaw Island
Group Exhibition, Summer, 2017: Museum of Contemporary Art of Georgia
Please apply here: https://wonderroot.submittable.com/submit/53550
Feel free to contact Curator Sarah Higgins with any additional questions
Sarah Higgins is Curator at the Zuckerman Museum of Art at Kennesaw State University. She has curated over 30 exhibitions featuring a diverse range of emerging, established, and international artists for institutions such as theHessel Museum of Art, Atlantic Center for the Arts, and the Southeastern Center for Contemporary Art. She holds a M.A. in Curatorial Studies from the Center for Curatorial Studies (CCS Bard), where she also served as Graduate Program Coordinator from 2013-2015.
She was Curatorial Coordinator for the 2013 MFA Thesis Exhibition, Milton Avery Graduate School of the Arts, Bard College and has been a Curatorial Fellow under Lauren Cornell at the New Museum in NYC. She was a member of the curatorial team for the exhibition 199A-199B, a retrospective of works from the 1990s by Liam Gillick at the Hessel Museum at Bard. Prior to attending CCS Bard, Sarah was Community Arts Director at Atlantic Center for the Arts from 2007 – 2011. There, she served as curator of Atlantic Center’s Harris House Gallery, developed multidisciplinary youth arts and residency programs, and managed community outreach and educational programming. Before 2007, she was Assistant Director of Parchman Stremmel Gallery and an Educator at ArtPace, both in San Antonio, Texas. She holds a B.F.A. from Atlanta College of Art in sculpture and printmaking.
Danielle Brutto is an artist working out of Atlanta. She attended Parsons the New School for Design where she received a Bachelors in Fine Art. While she indulges a variety of artistic ventures, her main medium of choice is paint. Whether it’s performance art, or experimenting with sound, her sensitivity to material and concept mirrors, often even directly references, her relationship to paint.
Manty Dey was born in Kumarghat, India and raised in Atlanta. She received a BFA in Drawing and Painting from Georgia State University in 2010 and an MFA from the University of Georgia in 2014. Dey has exhibited her work at the Macon Museum of Arts and Sciences, Georgia Museum of Art, MOCA GA, Mint Gallery, and Lyndon House Art Center. In April 2015, she was awarded a full fellowship to Vermont Student Center for an artist residency.
Rachel K. Garceau is a studio artist currently living and working in Atlanta, and has been recognized as a 2015 Emerging Artist by the National Council on Education for the Ceramic Arts. She utilizes large slip-cast porcelain forms to construct site-specific installations. Her work is often born from a curiosity about an object or a place and a desire to come to a deeper understanding of it.
Margaret Hiden was born in Birmingham, Alabama where she received her Bachelor of Fine Arts with a concentration in photography from Birmingham-Southern College. She received a Master of Fine Arts in Photography from the Savannah College of Art and Design in Atlanta where she currently resides as an artist and educator. She serves as Part-Time Assistant Professor of Photography at Kennesaw State University and Adjunct Instructor at Atlanta Technical College
Rameses Jones is an independent artist. He received a BFA from the Academy of Art University in San Francisco, CA in 2009. He wants his work to be relevant to be both the scholar and the dilettante, the devoted fan and the committed collector. It is his belief that art is a cure-all and should be devised as such.
Tyrus Lytton won his first drawing award at age six, receiving an honorable mention for his crayon on newsprint piece entitled “Helicopter.” He received a BFA in Painting from the University of Georgia in 2006 and an MFA from the Savannah College of Art and Design in 2013. He has exhibited with UnionDocs in New York, Fleisher/Ollman in Philadelphia, and Fay Gold in Atlanta. Tyrus’ work is in private and corporate collections such as the Ritz-Carlton, Chase Bank, Novartis, and Inoh Japan.
Nick Madden was born in 1978 and raised in Mableton, Georgia. He studied drawing and painting and graduated with a Bachelor of Fine Arts from the University of Georgia in 2002. Since then he has been creating works of art, teaching art to elementary school students, and living in Decatur, Georgia with his wife and many animals.
Laura Noel is an Atlanta-based photographer and installation artist. Her work often addresses American cultural issues with an emphasis on how individuals navigate an increasingly homogeneous world. Recent projects include an extended portrait series called Smoke Break, about Americans who continue to smoke in the face of public bans and a shift in public tolerance for the act, and Withdrawn, a study of discarded library books and how technology has altered basic activities such as reading.
Yanique Norman (b. 1981 in Spanish Town, JA) is an artist based in Atlanta, Georgia whose multi-media work explores themes of alienation, identity and the Black psychological body. Since her first exhibition in 2005 she has exhibited her work at The Museum of Contemporary Art of Georgia, Hartsfield Jackson International Airport, the Rialto Center for the Performing Arts, Agnes Scott College and Sandler Hudson Gallery. Her work is included in private and public collections throughout region which includes The High Museum, Hammonds House Museum and Clark Atlanta University Art Galleries.
Sara Santamaria is originally from Madrid, Spain. Earlier in her life she studied theater, linguistics and textile arts. More recently she has been exploring sculpture, mold making and ceramics techniques through studio assistant experiences in Canada and France. Sara is now pursuing a degree in 3D art studio in Atlanta where she is currently established. She likes to work with different materials such as metal, ceramics and wood.
Michael “MIKE” Stasny is an artist and musician who works in the sculptural realm. His most recent work utilizes raw building materials / broken furniture that take on the form of “creatures”. He received his BFA from the Milwaukee Institute of Art and Design in 2003 and was instrumental in creating “What What in the Butt” with Samwell soon after graduation. He has received commissions from Turner Broadcasting to install sculptures in the CNN Center in downtown Atlanta and has work in the City of Atlanta’s permanent collection.
Born in 1943 in Roanoke, VA, Judith (Judy) Barber commands a leading role in the arts management and consulting arena. She is an artist, as well as an arts administrator. The Heath Gallery in Atlanta exhibited her work for 25 years, allowing the local community to become acquainted with her work, especially during her solo exhibitions at the gallery. The High Museum of Art has also exhibited Barber’s work in the early 1980’s, also in a solo endeavor. Barber’s works are in numerous museums, private and corporate collections, including the Hunter Museum in Chattanooga, Chattanooga, TN; the High Museum of Art, Works on Paper, Atlanta, GA; AT&T, Bell South, Emory University Cannon Chapel and Marriot. After serving on the board of directors of the Hambidge Center in 1990, she served as executive director for 10 years. During that time, Judy Barber focused exclusively on creating the Hambidge Center residency program. The center grew from being relatively unknown to hosting artists from five continents in one year, and being funded by the National Endowment for the Arts. Barber served on the board of the Alliance of Artists Communities for six years. She has been executive director of the LaGrange Art Museum, the Madison Morgan Cultural Center, the Serenbe Institute and the Sautee Nacoochee Center.
Molly Rose Freeman
P. Seth Thompson
In Kyoung Chun
Roni Nicole Henderson
Hailey (Lowe) Fennell